R&B and hip-hop albums frequently number 20 tracks or more, while dance artists are making records that last five hours. Are musicians spreading themselves too thinly?
Lock the doors, shutter the windows and keep the lights on, because something truly terrifying has descended upon us this Halloween: Heartbreak On a Full Moon, a Chris Brown album that has been allowed to witter on for 45 songs.
Brown’s amorality, trust issues and joyless acquisitiveness have occasionally made for unwittingly spellbinding songs (Deuces, Loyal), and he made for a convincing EDM-pop frontman, but our era of Latin pop and bleak rap has him flailing. Questions, the big lead-off single from his bloated opus, features karaoke versions of dancehall hits in lieu of a chorus; its creative redundancy has stalled it at a high of No 84 in the US charts. The calculated humility of a recent documentary meanwhile, in which he finally discussed his abuse of Rihanna, merely nauseated as he admitted: “I’m [going to] be me, and be evil … She tried to kick me … and I really hit her, with a closed fist, I punched her.”
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